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Susie Nicklin, director of Literature, British Council, UK:
We are aware that Anni is a bestselling author in China and were particularly fascinated by Anni's initial success with readers through posting her work online. We felt that her work, as it reflects on the lives of younger generations, who live in newly developed and ever increasingly urban environments, would be particularly interesting for a British audience.
Anni's career reflects a trend in China - that many young writers gain recognition first through publishing their work online, which we wanted to reflect in the cultural program. It will be interesting for a UK trade audience to hear more about how the Internet has influenced writing and publishing in another country.
Anni was one of China's first literary Internet sensations at a very young age, who then moved on to become even more successful when published in print. She also offers the perspective of a young female writer, in comparison to her male colleagues, like Feng Tang and Xu Zechen, who write about similar themes.
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An animal specimen competition brings a bounty of beasts to Beijing. Wang Kaihao reports in Beijing.
This is a show that has spectators saying, "Lions and tigers and bears - Oh my!" Mounted specimens of these large predators are on display alongside their prey. About 300 stuffed animals from across the country, they are contestants of the first Chinese Animal Specimens Competition at the National Zoological Museum of China, in March, Beijing. The show will run until May 27. Organizers plan to stage the contest every other year.
"This is the country's highest-level animal specimen competition," Beijing Zoo manager Xiao Fang says.
Xiao is also head of the seven-judge panel and has worked as a taxidermist at the zoo since 1981.
"We judge the specimens' anatomical structures, scientific values, preparation processes and aesthetics," he explains.
Ten specimens took the first prize and dozens of others won second and third.
Xiao says the awards are meant to encourage taxidermists, as the trade's level of sophistication in China lags behind some countries.
While the basic principle is simple - covering a sculpture with tanned animal hide - doing it well requires mastery, Xiao explains.
The country doesn't have taxidermy schools. So Chinese taxidermists must apprentice in workshops to learn their trade, Xiao says.
There are only about 100 full-time taxidermists nationwide, Xiao estimates. There are about 300 in total, if part-time practitioners are included. And there are less than 10 companies that can mass-produce.
"Many Western countries have specific sub-fields of taxidermy," Xiao says.
"They produce different types of glass eyes for different species, ages and sexes - and even to convey particular emotions. And they use various tanning formulas. But this is all underdeveloped in China. Still, Chinese taxidermists are learning fast as overseas communication advances."
Xiao took third prize in the amateur division of the 2007 World Taxidermy Championship in the United States. It was the first time a Chinese person had joined such a contest, he says.
One of the first prize winners is Beijinger Lin Jun, whose horse didn't receive a single "nay" vote.
"Because people are so familiar with horses, any tiny flaw would be conspicuous," Lin says.
"I had to be sure everything was perfectly accurate."
Lin stayed at a ranch for a month to observe horses before starting the project. He also pored over articles on horse anatomy.
But very few people do so much fieldwork in China, Chinese Academy of Sciences (CAS) zoologist Wang Song says.
"Animal studies in the country's colleges emphasize molecular biology, and researchers rarely leave their labs," Wang says.
Many colleges had taxidermy classes in the 1990s but later dropped them.
"How can we expect good taxidermy without field observation?" Wang says. "The lack of it is why so many specimens in top universities' museums aren't very good. They fall behind the standards of the schools' academic reputations."
That might be why none of the competition's entries came from colleges. And the lack of high-quality taxidermy might contribute to the absence of a national science museum in China.
"Of course, we want a Chinese counterpart to the Smithsonian Museums," Wang says. "But can we just present pictures in a fancy building?"
National Zoological Museum director and CAS zoologist Huang Chengming says such a museum has been discussed for years. The country can afford its construction but is still waiting to start.
"Taxidermy is a popular science tool," Huang says.
"No matter how we develop the trade, doing so remains an important target to enable us to better acquaint the public with science. And such specimens are crucial records of biological history."
Huang says about 6,000 of the museum's 5.8 million specimens are displayed, while the rest are stored as hides.
"We don't expect these specimens to portray the animals' lives," he says.
"But they indicate important scientific information, such as their habitats."
About 80 percent of exhibited animals come from zoos, but many still have ambiguous origins, Huang says.
State Forestry Bureau animal protection official Wang Weisheng explains: "The lack of regulations leaves room for poaching. But also, many animals die naturally and their bodies are wasted."
More wild animal breeding centers might contribute to more balanced sourcing, he believes.
Fujian province is a major taxidermy base and has established a provincial association to regulate the industry and introduce more sophisticated products.
Participants of the Beijing contest used the event as an opportunity to call for the establishment of a national committee.
"We'll improve our administrative license system and more clearly identify animals' sources," Wang Weisheng says.
"As long as we don't hurt our ecosystems, we must prioritize taxidermy to popularize science."
Contact the writer at wangkaihao@chinadaily.com.cn.
Ghosts are as real to the population as the smell of diesel off the harbor. Hong Kong people may be fearless in the face of any stir-fried dish consisting of animals, insect or invertebrates but nothing will scare them off a below-market rate property faster than the ghost of a previous tenant, who met an untimely death.
Which is why one entrepreneurial company is marketing "haunted" homes to the other kind of ghost - the "gweilo", which is Cantonese slang for "ghost man", or foreigner.
The company website lists not only the properties but also the causes and methods of their demise. So, if you or a loved one is going through chronic illness, financial strife or marital discord, my advice is to lock up the charcoal and move to a low-rise building.
I remember as a kid reading the Chinese comic book Lo Fu Ji (Lao Fu Zhi), it was a slap-stick reflection on the go-go years in Hong Kong, as seen through the eyes of the goateed local Lo Fu Ji and his pals, fat Mr Yam and slim Mr Bean (or the normal guy).
Apart from the tongue-in-cheek commentaries on the foolishness of the locals mimicking Westerners, every fourth cartoon panel had Lo Fu Ji trying to outwit or outrun a slack-jawed, zombie-like female ghost. At that time, this was considered good entertainment for little kids.
So, unlike the West, the Chinese don't romanticize ghosts and other demons. There's no hunky Twilight-like vampire carrying his hot-blooded date's handbag like a good Shanghai boyfriend. Ghosts are not something they want to have in their homes or worse still - upset at them.